
SOMHAIRLE MACDONALD
DEPICTIONS OF AND NATIVE CURIOSITIES FROM
ONE OF THE WORLD’S OLDEST LANDSCAPES.
MULTIMEDIA_______________________________ ARTIST________________________
________a’__ShOMH____AI_R____L_E
___MUSICIAN & BAND PHOTOGRAPHY
I have been taking photos of Scotlands musicians for over a decade. My aim is to work with artists on concepts that reflect not only their music but also heighten their artistic vision to convey their art effectively and with force. I consider myself very lucky to have worked with so many talented people, from straight up hard-core Gàidheil-trad, to experimental new age Ethno-Techno and everything in between. I have been part of the wallpaper of the Scottish Music scene since the late 90’s…
AWARD WINNING
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_______LANDSCAPE Photography
My photography forms the fieldwork for my deeper, creative output. I seek locations and experiences that other people might disregard as folly. There is always something meaningful to unearth and capture. In these places I hear the rhythms of the past; the thumping monotone beat of my children’s future.
_______Design
Over the decades I have designed and printed thousands of things. CD’s, Vinyl, T-shirts, Books, Posters. I have designed over a 140 album covers.
SOMHAIRLE M S MACDHÒMHNAILL
•NB •
My art work has taken on a strange character of late, I have no meaningful language to describe what is happening currently…
current exhibition on show in ullapool till 8th aug. VIEW HERE
My other work in photography and graphic design has been going great guns and has been using up a lot of my creative bandwidth. All other creative efforts have been put into playing bass and drums in Croft No Five… Hoping to get a power of painting done during the winter and re-write all my schblk to reflect where I stand now.
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EXHIBITION PRINTS

THE LAIRD OF FCKNG NOWHERE
Series Description:
laird /lɛːd/ noun (in Scotland) a person who owns a large estate. Scotland is experiencing a property crisis, the cost of living is so high and wages so low that few millennials or gen z’ers have any hope of ever finding a permanent home. In the highlands of Scotland (where I come from) the dream of being able to move home is so remote with even derelict buildings often being out of reach financially. In the central belt, where most of the population reside the social housing schemes that were built in the 1960 and 70’s are falling into dis-repair whilst rents remain high, often controlled by unscrupulous corporate landlords. This photo series aims to illustrate this social dystopia by exploring the fringes of place and our sense of belonging. The humans in these pictures may not be instantly recognisable but their stories are hidden in plain sight.

ART / PAINTING / DRAWING
From Abstract Landscape TO WhaT ???
•NB •
current exhibition, neither warloed or poet, in ullapool till 8th AUg, View the collection here.
FOLKUMENTAIRES - MUSIC VIDEOS - ABSTRACT ART MONTAGES

MUSIC…
Music has been a big part of my creative process since adolescence. Being the Bass Fingers in Ethno Funk pioneers Croft N• Five gave me some fairly invaluable life experience. Though it could never be said that we were big or successful, we did grace stages across the world, from the Albert Hall, to New York to the Coigach Dance and Abriachan Village Hall. Music and poetry continue to form a large component of my visual work. Just take a look at the names of some of my paintings. I still endeavour to create music when the impetuous strikes me. Hap Hazard and wildly varying in quality, my music has always been a massive part of my expressive output. Another avenue of flow, a place to retreat, a sanctuary.
*** THIS IS A PRE-ORDER. PRINTS WILL BE SHIPPED AT THE END OF AUGUST, ONCE THE EXHIBITION HAS ENDED ***
An A4 print of “THE ALIEN PANCAKES OF CÙL MòR”, part of my exhibition Neither Warlord or Poet, running at The Ceilidh Place in Ullapool until 8th August
Signed and numbered
Delivered in a presentation box
Ready to frame
Assynt has a primordial grip on me, a tangential connection. Perhaps it is something to do with my heritage from Wester Ross. Perhaps it is just the vast and unquestioning connection that the rock here has to the very, very distant past of all Earth’s creation. This landscape is so old that its presence tells rich stories of wisdom, endurance and persistence. It’s not an ordinary concept to respect or pity rocks, yet I do. The turmoil these rocks have been subjected to is so brutal that at times my heart bleeds for their troubles. Suilven... an inselberg that I hold in such abstract and lauded esteem oozes character from every aspect. The grumpy face of the sad grey giant from the West, from the east a towering bum of pride, from the south and north appearing as the sleeping giant, bloated and tired, gasping at the sky. I love this place with the grief of death, it’s darkened, long lasting aspect a chilling reminder of my fleshy insignificance.